I

 Although  there  is  nothing,  which  has  no  content  and  there  is  no  content  which  has no  form,  as  a  visual  artist,  the  duality  of  form/content  in  Art,  is  the  subject-matter  to me.  Does  the  form  come  after  the  content,  or  this  is  the  content  which  follows  the form?  Which  one  of  them  is  the  light  for  the  artist  to  find  the  way  to  success? Priority  of  form  or  priority  of  content?  Which  one  is  the  reason  for  counting  some artworks as masterpieces and some, just as works.  For years, I have been wondered which one is really correct. First, I thought that it is the artist's idea that leads the way; so I started studying philosophy and it led me through the way of thinking, criticizing, and question-making. After some time of investing in philosophy, I had realized in order to form things and visualize ideas, I had to learn visual alphabet: elements and principles of design. I had studied cubic shapes in different perspectives, creative deformation, and human and animal anatomy in different academic systems, to practice on forms. Meanwhile, philosophy of language and semantics had revealed to me, how human beings learn the physical world, talk about it, and theorize about it with their thoughts, verbally.  "Verbally?" I asked myself. What if human beings observe the physical world, picture it, and theorize about it with their perceptions, visually, and not verbally?  I use elements and principles of design, to explain this perceptive theory and to present a way for learning and understanding Art.

  ll

 People  talk,  and  they  believe,  almost  all,  they  send  and  receive  meaningful  ideas about  particular  events  successfully.  But,  as  thoughts  and  concepts  run  in, meaningfulness  and  successfulness  vanish  excessively.  So  it  is  for  each  individual,  to refer  to  his/her  own  experiences  and  perceptions,  make  questions,  bring  examples, and run some deductive process, in order to argue this ambiguity out.

 I.D. 

 Description:  To  me,  listening  to  music  is  to  hear  "Hush!",  or  "Um!";  A  particular event,  demanding  someone's  resolution.  These  art  works  are  mine  on  what  musicians provoked  on  me  by  their  musics.  I,  as  a  visual  artist,  came  up  with  a  single  frame  and that  frame,  in  its  turn,  waited  out  the  other's  resolutions.  Thus,  I  asked  Morteza Keshavarz,  a  photographer,  to  help  me  run  the  same  process.  So  the  second  frame,  a photograph  contains  his  resolution  on  the  music  and  my  work,  produced.  There,  I had  the  music,  my  first  frame,  and  the  photograph.  The  third  frame  was  like a question to me: I wonder how this process proceeds?

  III

 Natural  light  and  the  way  different  materials  behave,  make  me  curious  about  the source  of  colors,  its  essence  and  effects  on  how  we  think  3-dimensionally.  Is  it because  of  the  perspective  that  we  feel  the  world  in  this  way,  or,  it  is  different  behaviors of a material, the same material, spread trough the space? Here  I  used  monochromatic  ink,  or  a  combination  of  two,  provided  with  white  light to see how one reacts in front of the works.